Grab a

Grab a NO!SPEC logo today

 logo today!

Welcome!NO!SPEC

The NO!SPEC campaign: Serves as a vehicle to unite those who support the notion that spec work devalues the potential of design and ultimately does a disservice to the client.

Our mission: To educate the public about speculative, or 'spec' work.

Our target: Those who use creative services, as well as creative professionals (designers, photographers, illustrators, typographers, translators, writers and those in marketing, branding, advertising, and broadcast media).

What you can do: Read NO!SPEC’s Protocols. Place a ‘NO!SPEC logo on your site. Sign the NO!SPEC petition. Distribute the ‘NO!SPEC’ posters.

Requirements: The only requirement for participation is putting the appropriate value on your profession.

Archive for Crowdsourcing

Crowdsink on Twitter: CrowdSpring, Do What’s Right!

CrowdSpring sinks to even lower lows…

This weekend, while Jay and I were busy updating no-spec.com, twitter continued to be all aflutter over the latest from CrowdSpring: CrowdSpring, Do What’s Right!

Background: Seems a CrowdSpring designer ripped off the work of Mike Erickson of Logo Motive Design (LogomotiveMike on twitter).

And while this is shocking enough – ok, not shocking as rips happen all the time on crowdsourcing sites – what has upset designers is CrowdSpring’s three strikes policy.

That’s right. A CrowdSpring designer gets to submit various ripped designs a total of three times before getting banned.

To follow the event yourself, here are the top searches on twitter:

CrowdSpring: Where have all the cheerleaders gone?

Ross Kimbarovsky: The voice of CrowdSpring on twitter.

Crowdsink: The twitter tag designers are using to publicise the problem.

And of course, make sure to read down through the original article: CrowdSpring, Do What’s Right!

Apparently this has been going on for about three weeks, but the designer in question is still submitting work at CrowdSpring. Amazing.

Btw – if you haven’t noticed, no-spec.com is now on twitter too: nospec.

So if you do twitter, go ahead and give us a shout…

Comments (6)

Translators Against Crowdsourcing

LinkedIn annoys professional translators

Seems designers are not the only ones upset over being asked to work for free.

LinkedIn – the professional networking site with 41 million members where ‘relationships matter‘ – has today managed to mightily annoy professional translators who use the site by asking them if they would like to translate the LinkedIn site in exchange for a LinkedIn badge or ‘because it’s fun’.

Does this sound familiar?

put me in touch with a professional, English and German-speaking painter and decorator with 15 years of experience, who will strip the old wallpaper off all rooms of a house consisting of 20 apartments and offices and will then paint each room, preferably each in a different colour, naturally by tomorrow afternoon, and FOR FREE, I will be pleased, on satisfactory completion of the work, to translate the term “LinkedIn” into a language of my choice.

Translators have responded by not only creating a dedicated group on LinkedIn, Translators against Crowdsourcing by Commercial Businesses, but by flooding twitter too. They have also asked to become a part of the NO!SPEC Campaign.

You can read all about it at MatthewBennett /blog.

Artists say no too: Use Their Work Free? Artists Say No to Google – NYTimes.com

A thank you goes to Tomás Cano Binder and Matthew Bennett for the heads up.

Translators, welcome to the NO!SPEC Campaign!

Comments (4)

Comments on Spec Work and Crowdsourcing

From the previous post, CreativePro: Spec Work and Crowdsourcing, I thought I’d grab a few of the opinions from the comments.

Shale Grant said: Thanks for your constant and steadfast guard over working on spec. I’ve done both (have my own design firm and have submitted to Crowdspring and frankly no one’s forcing the designers to submit. Some can handle it – some (apparently) cannot. If you don’t like it, don’t do the work on spec! Simple!

If I were a prospective client, I’d think you’re coming across as a whiner. Under the aegis of “not giving the client the best they can get”, I feel like you haven’t really understood what Crowdspring actually does for the client (they have a chance to answer any questions a designer wishes to ask, not to mention have to fill out a rationale anyway)- only weighing in on how it affects YOU, which makes me think you’re really not in it for the client’s best interest – or for that matter superlative design.

I think you just want to whine in order to justify your client inevitably overpaying for design by you. Face it: it’s the way things are. Either swim or get out of the way.

Several designers posted their opinions to dear Shale Grant, so please take the time to read them.

There is one comment in particular I’d like to share here.

Steve Douglas: Shale, I see spec and design contests as an industry issue – relevant to designers, buyers of design and yes, design firms.

The argument “well, some people do it, and they’re not being forced to” has no bearing on whether anything is good, effective or productive. It’s actually a classic case of the bandwagon or “Argumentum ad populum” logical fallacy – “the mere fact that a belief is widely held is not necessarily a guarantee that the belief is correct”. Lots of people smoke, nobody’s forcing them to, but no-one would use that argument as being illustrative that smoking isn’t harmful to the individual or society itself. The numbers of people participating on spec is, to be blunt, irrelevant.

I’m not sure why expressing a view that YOU should get paid for YOUR work is whining, but no mind. When talking to other designers who participate in spec, let me say this – to a person, they’d ALL prefer to be paid for their work. They’d rather get paid for EVERY contest or spec offering they enter. None of them, and I do mean NONE, actually WANT to give their time or talents away for free. They participate for a myriad of reasons, ranging from desperation to not being aware of alternatives, to the honest belief that they will somehow manage to make a decent living with design contest winnings (most find out rather quickly that they won’t). Unless you are the lone ‘professional’ designer who prefers not getting paid for your services, we probably agree on that one basic premise. Accordingly, I’m not sure how my stance could be determined as “whining”.

In terms of Crowdspring, I don’t want to dwell too long on them specifically, but as you brought them to the table – their website is 100% set up for the abuse of designers, many times as the hands of small business people who aren’t even aware they’re taking liberties. I don’t give a tinker’s toss about how much Crowdspring charges – that’s never been an issue of mine – my issue had always been that designers are exploited on sites like Crowdspring (and being exploited voluntarily has no bearing on whether something is exploitative or not), often by clients hoping to get ‘more for less’ while actually running a very high risk of obtaining inferior design work. Or worse. The vast majority of work on Crowdspring is, to be charitable, amateur (shouldn’t be surprising – design by amateurs is one of Crowdspring’s selling points to attract, well, amateur designers). By the way, this isn’t my opinion, but the published opinion of people who’ve reviewed CS services POSITIVELY on their blogs after running contests. The amount of copied art and stock artwork (submitted as logos) is astonishing. Again, don’t take MY word for this. Read Crowdspring’s own forums for complaints by designers who are otherwise quite happy tinkering around on the so-called “community”.

In terms of what Crowdspring does and the client-designer interaction, I must disagree. Pretty strongly too. The ‘buyers’ NEVER listen to the designer’s suggestions, even when told that what they’ve requested isn’t going to work (especially from a technical POV). All communication is FROM the buyer to the designer, never the other way around. Whatever communication from the designers to the client is usually the “yes sir, no sir – I await your next command, sir” variety. When utilizing people who are supposedly knowledgeable in their craft, the buyers never utilize that portion of the designers’ skillset. Their knowledge and/or experience. It’s akin to me taking my car to a mechanic and ignoring them completely when they tell me my wheels are going to fall off. And that, by the way, is if the ‘buyers’ communicate at all. Read the Crowdspring forum and read how designers carp that the lack of communication is a real hindrance to many contests. The management of Crowdspring have even taken to encouraging communication, suggesting that active participation means more entries. There’s lots more issues we could discuss, but rather than turn this into a Crowdspring-bashing thread, let’s leave it for another day.

In terms of my personal motivations, I’ve always been pretty pragmatic when it comes to business, so If I honestly believed that a service like Crowdspring was good for designers, good for clients, good for the industry (and profitable to boot) I’d be busy setting up my own logo design platform rather than blathering on some blog. I run a small design shop (and have so since 1996), staffed by people who have extensive backgrounds in design and online marketing, so converting my custom shop to a so-called design “crowdsourcing” platform would be a relatively easy transition. Accordingly, “if I were only weighing in on how it affects (ME)” and thought spec sites were a step forward, I’d have launched a logo design contest site years ago, and rather than debating with you on a blog, I’d be inviting you to come work on my site, supplying my ‘buyers’ with your artwork, for free. Which, apparently, you’d be quite happy to do.

Alas, I DO believe that spec sites like Crowdspring are exploitative, harmful for designers and a second-rate solution for clients. I also have to live with myself and would never expect you (or any other designer for that matter) to work for me without payment. Old school? Maybe. A Dinosaur? Perhaps. Whiner? Hardly. Continuing on my personal angle, I’d also like to point out that not once have I EVER suggested that people hire my firm rather than employ Crowdspring or another spec solution. Rather, I’ve suggested that spec contests are not terribly effective (my blog contains a myriad of evidence) and that design buyers have a ton of OTHER alternatives, ranging from small design shops to independent freelancers. As there’s nothing in your comment to indicate that I’m incorrect, I’ll stick by that stance.

I notice you close with the old “evolve or die” (or in your case, “swim or get our of the way”) chestnut. Not the first time anyone who’s been online for a while has heard that. Remember spam e-mail? When it first hit the scene back in the mid-nineties, the exact same rationale and arguments were used by the Direct Marketing associations. People complaining about spam were called dinosaurs. The JHD (Just Hit Delete) folks told those of us who hated our e-mail accounts being saturated with porn and pharma junk that we were “whining”, and trying to stand in the way of people getting “great money saving offers”. Spam e-mail was actually defended as being a positive thing for people getting it, as well as the small companies who couldn’t afford traditional advertising, who had started using it to deliver their message. Fast forward 15 years and spam e-mail accounts for over 80% of ALL Internet traffic, costs the world-wide economy billions and is a major headache for anyone trying to do anything online, from sending pics of the grand kids to parents, to running an online shopping business. This idea that all business models made possible by technology are positive is rubbish. Use of technology is what you “can do”. That needs to be tempered by what you “should do”. In terms of your comment “it’s the way things are”, and continuing with our analogy, the same can be said of spam. Are we better off because of it? Hardly.

Shale, thank you for posting your opinion.

And Steve, once again, thank you for taking the time to share your experience and views.

Cat

Comments (9)

The Logo Factor: Why you should crowdsource your logo

If you’ve been keeping up with the comments on David Airey’s post, Forbes calls designers snooty, you couldn’t possibly have missed the excellent points made by Steve Douglas from The Logo Factory.

Steve has long been on top of the spec issue with significant posts such as Logo Design Contest Copycats, Why logo contests don’t work and Logo Design Contests. Fun and all.

During the Forbes conversation, Steve came out with Design is a ’snooty’ business: Forbes.

And now he’s gone one further with Why you should crowdsource your logo.

First-rate Steve. As usual.

Comments (9)

Forbes Says Designers are Snooty

Two weeks ago, Christopher Steiner, a senior reporter with Forbes Magazine, sent me an email with FORBES MAGAZINE QUERY!!! in the subject line.

After a back and forth with Christopher, interviews were set up with top designers in the industry. Busy designers, who agreed to take time out of their workload to talk via phone with Christopher.

Designers such as…

The fabulous Debbie Millman of Sterling Brands, Design Matters (Voice of America), author of How To Think Like A Great Graphic Designer and Essential Principles of Graphic Design, and board member of the National AIGA.

Also included was popular logo designer Jeff Fisher of Jeff Fisher LogoMotives, bLog-oMotives, author of The Savvy Designer’s Guide to Success and Identity Crisis!, as well as member of the HOW Magazine Editorial Advisory Board, UCDA Designer Magazine Editorial Advisory Board, and HOW Design Conference Advisory Council.

The first interviews were missed. The second missed too. With no explanation. No email of apology from Christopher.

The next thing we know, Christopher’s article ad is out with this charming blurb in bold…

Xxxx aims to slash the cost of graphic design work–and democratize a snooty business.

Way to go Forbes.

This is not a well researched, balanced article. It’s an ad for yet another bottom feeder in the design industry. That, and a testament to Christopher’s professionalism. And Forbes, well… what does it say about Forbes?

David Airey was the first to post opinions with Forbes calls designers snooty. Design Observer’s Observed section sported a blurb, as did SpeakUp’s Quipsologies. Swiss Miss then came in with Forbes calls designers snooty. Steph Doyle posted about the subject with Forbes Promotes Graphic Design Kitsch. Brian Yerks came out with one of his own. As did Steve from the LogoFactory, with Design is a ’snooty’ business: Forbes. Then Jeff Andrews posted Forbes Magazine: Graphic Design is a Snooty Business. The design forums are debating this subject as we speak.

UPDATE: Debbie Millman has now been asked by AIGA to ‘chair a task force in an effort to understand the various sentiments about this practice in both the design community and the broader creative community, and report back to the National Board our findings and potential recommendations at the National Board retreat in April, and to share these findings at the Leadership Retreat in June.’

If anyone would like to contact Deb about this matter, follow this link to AIGA’s discussion on spec.

This morning Terri Stone, editor in chief at CreativePro.com, requested an interview on the subject of working spec. Knowing Terri as I do, it’s sure to be a professional, well researched article.

Comments (13)

Aquent, 99Designs and the Design Industry

Mark Rushworth just contacted us about a post he’s written, Aquent Vs the Design Industry.

Seems Aquent thought it was a good idea to post a contest at 99Designs. Hmmm…

How could a company such as Aquent (connected to the AIGA), be so out of touch with the design industry? If they didn’t want to take on board what AIGA had to say (and seems they didn’t), then all they had to do was google 99Designs and read a few of the opinions out there from established designers. Right?

Please check it out as it is interesting reading…

Qbn: aquent site redesign-spec work
Aquents blog: Design Contests: Betrayal of Everything We Stand For?
Aquents Facebook: Redesign Aquent’s Homepage

From Aquent: First of all, I view this as an experiment. What can we get if we take this approach? We could get a bunch of junk, which would reinforce the idea that you can’t get good design this way. Maybe we’ll get something good. Maybe someone who wouldn’t otherwise have the chance to show their stuff will get noticed. Who knows?

Well, I guess they know now.

Comments (9)

Positive Space: 99Designs Stoops to a New Low

Tony of Positive Space has a decent conversation going in his post: 99Designs Stoops to a New Low and Attempts Propaganda.

If you have been following Positive Space for a while, then you undoubtedly know that I have a problem with both spec work and 99designs (previously sitepoint contests). However most recently the minds behind sitepoint have stooped to a new low. I say this because the article “Design Contests Made Me A Better Designer” that was recently published is nothing more than a piece of propaganda literature.

It’s an interesting read so check it out when you have the time.

Comments (6)

Pixish = Spec-ish?

Whoooh, busy time here at no-spec.com, what with the emails and hits rolling in on the subject of Derek Powazek’s new site, Pixish.

Like other posters, I hold Derek in high regard so his waffly stance – professing to be against spec yet promoting spec – was a confusing surprise.

Note: For those interested in the whole back and forth, the growing conversation can be found at pixish – Google Blog Search. And a rolling conversation in the comments can be found at MetaFilter – Pixish Tantamount to Spec Work?

But let’s start out with CatCubed – Pixish, web2.0 spec work.

What is Pixish you might ask? Well according to the site Pixish works as follows.

1. Create an Assignment. Ask for what you want.
2. Get Submissions. People create and submit their work.
3. Peer Review. Community voting helps find the best.
4. Pick Winners. Select your favorites and download.
5. Rewards! Winners get published and paid.

I.E., Pixish’s business model is to use Web2.0 to encourage spec work. You and a bunch of other artists do a bunch of work and maybe the client likes it and you get paid. Actually it’s worse than spec work as on Pixish, all you get is a fragging prize.

Then we’ll have BeckleyWorks with I Beg to Differ. Pixish is Work On Spec.

Derek has put up a response to what he calls “one concern…heard loud and clear,” that Pixish promotes spec. His response simply doesn’t wash.

His definition of spec work is “where large companies take advantage of designers, getting work without paying.” Actually, spec work is defined as anyone asking designers to do work without paying for it. This includes startup web sites like Pixish. By trying to pawn it off on large companies, Derek seems to be trying to create a “them not us” illusion, and it’s painfully transparent. It almost seems like Derek doesn’t really know what spec work is.

Then there’s Adam Howell dot org with The Pixish logo belongs next to “spec work” on dictionary.com

…Derek and the folks at Pixish know this. They even added a response to it on their About page. Saying, basically, “if you don’t like the idea don’t participate” and, “pros like you are lucky, we’re giving talented amateurs a chance to make a name for themselves”. Oh, for crying in a bucket, here we go.

Oh! And this lovely one from Alex Jones - Spec Work, Pixish, Design Contests and Unicorns.

Some believe that this is a great opportunity for budding designers to build a portfolio, but as Adam notes, “We’ve got, you know, the web. Blogs. Youtube. digg/reddit/lots of other lowercase social sites. There are no longer just three ways to showcase your talent — there are three bajillion. And if you aren’t getting noticed, sorry, you either aren’t trying hard enough or you suck.

Timmmmyboy comes into it with Pixish | Bringing down the value of creative design.

Pixish is a new site that recently launched by Derek Powazek that promotes the ability to bring artists and publishers together. The idea is that there are tons of budding creative artists on the web and why not bring them together and have them compete over your ideas for the “prize” of having their work chosen in a bid.

This is straight up “spec” work and it’s something I (and many designers) have a big problem with, and it’s a problem that doesn’t seem to be going away.

No Commercial Potential chimes in with My Totally Reactionary, Ill-Thought-Out First Take on Pixish.

My original question when I first read about it was: “was letsallworkonspec.com already taken?”

Prizes? Designers and photographers who are worth the trouble do not want prizes. They want to get paid. I would maybe be very interested in submitting something for JoCo’s t-shirt, but you know what? I already have three iPods. And I already bought all his music. Even if I had a design the internet hordes loved, I would mostly win redundancy.

Adam Howell dot org follows up with A follow-up on Pixish.

Stock photo sites are one thing. Pixish is something completely different. And sorry but until I, and I’m sure several others, see otherwise, I won’t be convinced of anything else.

Update: Shortly after this post was published Derek announced he was taking down all the logo, header design and template assignments, many of which I had mentioned in this post, and would only be accepting pictures and illustrations on Pixish from now on.

So, what does that make Pixish now? A spec site for Photographers and Illustrators?

What do YOU think?

Comments (22)

The Spec Trap: Sitepoint

The Spec Trap
by Terri Stone

Last week, Eric Adams wrote about his experiences using Sitepoint to solicit logo designs for a fledgling non-profit focused on suicide prevention. As I expected, there were some negative reactions from readers who are against work done on spec; that is, with no guarantee of pay.

I understand where these readers are coming from. Spec work may seem seductive when you’re having a slow month, but it’s important to understand its downsides. Even for people just starting out in design, spec work can be detrimental. Not only might you learn bad habits, but the clients you “win” will continue to expect you to work for little compensation after you’ve built up your portfolio. This same pitfall of diminished paycheck expectations applies to established designers, as well.

The drawbacks for clients may not be so obvious, but they do exist. The best resolutions of design challenges come from in-depth client-designer communication and research. Competition sites like Sitepoint don’t foster that approach.

Had I been in a similar situation, I would have looked for a designer whose work I respected and whose style meshed with the project’s creative brief. I then would have asked that designer if he or she would be willing to do the project pro bono. If the answer was no, I would have kept looking.

To take part in this spec/no-spec dialog, go to the voxbox.

— Terri Stone, editor in chief
creativepro.com

Comments (19)

Spec work, anyone?

Spec work can damage your business, by David Airey

If you’re a designer, and you receive a request for speculative work, write or call the issuer. There’s a chance they may not even realise this practice is unethical.

… Earlier this year, Shayne Tilley published an article on springwise.com, about ‘crowdsourcing’ in graphic design. The text revolves mainly around SitePoint, a website where people post requests for logo designs / t-shirt designs etc., but don’t pay any money until they receive a design they like, often from the lowest bidder.

It was interesting to read the discussion that followed in the article comments. A lot of designers seemed annoyed at the concept behind SitePoint. I’d be interested to know your opinion.

Thanks David. I’m also interested in reading the comments received.

Comments (3)

Next Page »